Posts Tagged ‘movie’

Streaming Lost in Space – Season 2, Vol. 1 Online

Tuesday, March 2nd, 2010
Streaming Lost in Space - Season 2, Vol. 1 Online. Streaming Lost in Space – Season 2, Vol. 1 Online.

Movie Title: Lost in Space – Season 2, Vol. 1
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Lost in Space – Season 2, Vol. 1 is available for streaming or downloading.

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This is one gargantuan series that I have watched since I was a kid in the 70′s during it’s rerun period. The color on these episodes looks colossal! And the sound as crisp as ever.

I can Hardly wait for season 2 vol. 2 later this month!

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This is highly recommended for all Lost in Position fans out there!

5 stars is for protest. It’s FOX’s braindead deicision making that is Ridiculous. The fact that the UK release as well as the Japanese release feature the ENTIRE second season in one box while the US gets to be the lab rat on this “brainstorm” is ridiculous. I saw LIS season 1, selling off the shelves at Wal MArt, Sams, Costco, Target…exactly WHAT chain are they trying to lure in with these half-season sets? Dollar General and Eckerds?? It makes no sense whatsoever when the likes of Punky Brewster, Knight Rider and FOX’s occupy 24 are being released in fleshy season sets. They’re experimenting and we are the ones who suffer. My advice, score a cheap multiregion DVD player, they’re cheap these days, and take the COMPLETE UK version, it has classy packaging as well, UNLIKE VOL one in the U.S….and it was released encourage the first week of July! Pudgy season 2, and released 2 months earlier…in the UK where the fanbase is distinguished smaller. Go figure.
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Watch Saturday Night Fever Movie Online

Thursday, February 11th, 2010
Watch Saturday Night Fever Movie Online. Watch Saturday Night Fever Movie Online.

Movie Title: Saturday Night Fever
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Saturday Night Fever is available for streaming or downloading.

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This 30th anniversary special edition might have been re-thought when John Travolta decided NOT to be in the documentary. There have been MUCH better retrospectives on TV . The small section on the Music which DOES feature recent interviews with Barry and Robin Gibb…is okay but big time redundant…and the BEHIND THE MUSIC on VH1 which was put in excerpt in the 25th Anniversary Edition would have been MUCH better than all the useless junk on this edition. This was an important ( I know that is an overused word) movie for my generation …with big themes of growing up , friendship, career , family,and moving out…among others..and the special features of this edition reduce it all down to clothes and dance steps…THOSE THINGS didn’t make this movie important…they missed the boat entirely.

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John Travolta is NOT in the bonus features? Oscar nominated for his performance….he’s missing from this “special” edition..and for my money..if he’s not participating …WHY make it? and if I’d known he wasn’t in this I would not have wasted my money…the 25th Anniversay Edition is frankly…much BETTER!

instead of the DELETED Scenes on the 25th Anniversary Edition we get dance lessons? YIIIKES this stuff stinks!

the 25th Anniversary Edition

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commentary, a very very good half hour behind the music documentary with interesting interviews and Travolta plus never before seen rehearsal footage , deleted scenes

the 30th Anniversary Edition

commentary…no behind the music, no deleted scenes , no Travolta.

no way!!

Unfairly dismissed by many viewers today as a relic of the disco era, “Saturday Night Fever” should more properly be remembered as the classic coming-of-age tale in which John Travolta exploded onto the big screen. The actor’s character, Tony Manero, is a nineteen-year-old Italian-American still living with his family in Brooklyn who is stuck in a dead-end job and hanging around with a group of old friends who (like himself) have no real hopes or ambitions for the future. Manero’s only true talent – and his escape from the world around him – is his prowess on the dance floor. It’s a tricky role – the outwardly racist, sexist, homophobic, immature Manero is not the most sympathetic of characters – but Travolta imbues him with a aura of underlying decency and vulnerability that causes the audience to identify with him and ultimately, cheer for him. It’s truly a knockout performance … one that deservedly netted Travolta an Oscar nomination for Best Actor and won him the top male acting award from the National Board of Review.

The 25th Anniversary edition DVD offers home viewers a great video and sound transfer. A VH-1 “Behind the Music” documentary offers an interesting look at the troubled production history of the film, as well as some interesting insights into the movie’s impact on popular culture. Regrettably, the disc does not include the Original Theatrical Trailer; I found myself curious to see how the distributor (Paramount) promoted this film to theatregoers. This one minor flaw aside, the DVD offers a solid presentation of this 1977 classic, and is a video worthy of repeated viewings. Enjoy!
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Watch Iron Monkey Online

Thursday, February 11th, 2010
Watch Iron Monkey Online. Watch Iron Monkey Online.

Product: Iron Monkey
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Iron Monkey is definitely one of the best (if not THE best) kung-fu movie ever made. The record is nice and simple enough to follow with ease and the fight scenes are nothing less than breathtaking.

This American version of Iron Monkey totally downgrades the movie. OK, so they added to the record at the beginning and also remastered both audio and video. They even kept the recent Cantonese language. Sounds like the best remastered kung-fu movie? Well, not exactly. Though what they added is substantial, what they took out was totally uncalled for. First, they deleted scenes. I would understand deleting irrelevant scenes but why delete fight choreography? I don’t understand why some of the fight scenes were chop short, especially the final fight as it’s the best one. It doesn’t obtain sense at all. Secondly, they deleted dialogue. A enormous share of kung-fu is actually calling the attack one is about to do. Donnie Yen’s character (Wong Kei-ying) has this signature depart called the “Shadowless Kick” which he yells out when he executes it. They completely took that off along with other called attacks for some reason and that unprejudiced takes the flavor out of the fighting. Finally, they changed the epic with the subtitles. If you don’t snarl Cantonese (which I don’t) you won’t fetch what the characters actually say as the subtitles are NOT steady translations. This really feels like a dumbed down version for the American audience.

I’ve seen two other versions of this DVD. One is the fresh Location 0 version from HK and the other is the Area 2 Collector’s Edition that I bought. The Status 2 is a perfectly remastered version of the Novel movie with crisp sound and video with Dependable subtitles. The only thing about this version is that it’s PAL video format whereas the Spot 0 is NTSC. I give this Position 1 release 2 stars unbiased because it’s Iron Monkey. The added notify was nice but they shouldn’t have slit so many things. I recommend buying the fresh State 0 HK DVD (green conceal with the 2 ninjas) or the State 2 version if you can play PAL discs. However, if you’re not picky and unbiased want a ogle of this movie, bewitch this release.

Why can’t the people at Dimension Home video catch it good for once??? They messed up every single martial arts movie release by not providing the unique language tracks and cutting scenes. This time with Iron Monkey, they were wise enough to remaster the recent chinese language track, but they peaceful choose to reduce. For me, cutting a fighting scene, especially if its the last one, is a no no…and I, like another reviewer here, savor it when Wong Kei-Ying or Wong Fei Hung call out their special depart (Shadowless Kick) before they actually do it. Anyways, for those that don’t know, this movie was made in 1993 and it took long enough to near over here. This is a fable of a Robin Hood like character who steals from the rich heinous govt officials and gives to the abominable towns people. He goes by the name of Iron Monkey (played by Rongguang Yu), a hero to the townspeople, and a wanted man by the officials. The officials are though-provoking anyone that looks suspicious. While in town to shop for medicine, Wong Kei-Ying (played by the awesome Donnie Yen) and his son, the very young Wong Fei Hung accumulate in a quarrel with some thugs and glean arrested for suspicion. The chief official learns of Wong Kei-Ying’s stout martial arts, and by force sends him to acquire out the Iron Monkey while his son Wong Fei Hung is held in custody. To beget it simple, Wong Kei-Ying and the Iron Monkey will eventually team up and fight some entertaining govt officials. Donnie Yen delicate great steals the indicate in this film as Wong Kei-Ying, and he is the reason why I watched it. His kicking ability and hasten are unprejudiced awesome. Yeun Woo Ping once again lends a hand in making a decent choreographed film. I must admit there is more wirework here than I would want to seek, but thankfully Donnie saves it here. The kid that plays Wong Fei Hung (a boy? …I’ve heard it was a girl too) is dazzling awesome in this movie as well. Basically, theres plenty of fighting action in this film to retain action fans elated, and the ones with Donnie Yen are the best. Now, to the dvd…quentin tarantino and Dimension is getting a lot of heat from me for the cutting. Folks, if you are able to play Place 2 PAL dvds…then the Hong Kong Legends version of Iron Monkey is the distinguished copy to hold…completely uncut, remastered audio (Unusual Chinese and English) and video, and some intelligent extras. If not, then win the Media Asia HK version (green box) for that is uncut as well, but not as crisp determined as the Location 2. I wrote this review in plump help of Donnie Yen, he is one of the best martial artist to be caught on film. Check out his other greats such as In The Line of Duty IV, Tiger Cage 2, Flit Chun (alongside Michelle Yeoh), and OUATIC 2 (alongside Jet Li) . For those that dont know, hes also the asian guy in Blade 2. Anyways, Iron Monkey is a classic and well worth your buck. Check this movie out and check my other HK reviews too…hope this was grand.
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Buy The Third Man Blu-Ray

Wednesday, December 23rd, 2009
Buy The Third Man Blu-Ray. Buy The Third Man Blu-Ray.

Product: The Third Man
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It was with large anticipation that I viewed The Third Man recently. I had last seen it nearly 25 years earlier. At the earlier viewing I was impressed with the atmospheric treatment of Vienna and the mystery surrounding Joseph Cotton’s search for the truth about his friend Harry (Orson Wells) . However, though I then plan of it as a very splendid movie, I did not deem it would scandalous in my top 20. Now I gawk what I missed as a younger person. I can also peruse why this film would base as number one on a British list of greatest films of the 20th century.

The film is a surreal examination of the tension between loyalty, care for, and friendship on the one hand, and truth and justice on the other. The Viennese are suffused with the cynicism of a destroyed continent and damaged culture. The British know only about the truth and justice side of the equation. The American writer of simple westerns smooth is naïve enough to care about friendship and truth, and follows both wherever they lead. At the same time, Carol Reed scarcely shoots a scene in which there are moral angles. Nearly everything is tilted. Close-ups of faces exaggerate their features. The dusky and white of the film emphasizes the dark nature of the memoir and its suitable underpinnings.

At first Holly Martins (Cotton) thinks he is helping his best friend, Harry Lime (Wells) . At the same time he becomes Harry’s rival for the woman, Anna. When Harry realizes that Holly has discovered his proper nasty diagram, Harry has a chance to slay Holly and build it witness like an accident. What stops him? Friendship? And why does Harry catch Holly’s invitation to meet? In the penultimate scene in the underground sewer tunnels, does Holly fire the final and fatal shot, or does Harry destroy himself?

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This magnificently filmed and wonderfully acted masterpiece has remained in my mind for days after seeing it. If you are a lover of cinema and not merely of movies, please salvage this classic. It richly deserves its reputation. Highly recommended.

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Who was Harry Lime (Orson Welles)? An outrageous man, devil in the flesh who was responsible for the unspeakable crimes, yet quick-witted, happy and charismatic. His most well-known words, a short speech written by Welles himself, say a lot about his character and motivations:

“In Italy for 30 years under the Borgies they had warfare, anxiety, abolish, and bloodshed, but they produced Michelangelo, Leonardo da Vinci, and the Renaissance. In Switzerland they had brotherly adore – they had 500 years of democracy and peace, and what did that construct? The cuckoo clock.”

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No wonder, we like him, even though we know what he’d done…

It has been said thousands of times about the greatest movie entrance ever – but what about his ‘exit’ – the fingers on the street? I assume it is one of the greatest, too…

A pleasing mysterious girl with tragic past was in worship with him and the unforgettable ending, so anti-Hollywood, so apt to the film – was about her savor that goes beyond the grave. I read that both Selznick (the producer) and author Graham Greene had initially argued for something more upbeat (Holly and Anna walking off arm-in-arm), but Reed disagreed. I am so jubilant that Reed won (I am determined millions of fans are, too) . That was the device to achieve the movie and acquire it powerful more than objective typical noir. Makes the viewer consider about savor, friendship, betrayal, loyalty, the notice one pays for them.

Amazing film – perfectly shot; almost flawless. It looks and feels like Welles himself could’ve made it. The influence of Citizen Kane is undeniable. The only plight I had – the music. I like it but it was very uncommon to hear it in the film like The Third Man. Maybe that was a purpose – instead of somber, mopish, and ominous music that would be expected for the noir film, something completely different and out of area – satisfied but dismal in the same time…

Criterion DVD is improbable – the restored version of the film shines. There are two openings of the film available – British and American, and a lot of extras.

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Always Review At Amazon.

Sunday, December 20th, 2009
Always Review At Amazon.. Always Review At Amazon..

Product: Always
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Richard Dreyfuss is a pilot, and kind of a wild card when it comes to his fire fighter flying. This concerns the people around him, girlfriend Holly Hunter and best friend John Goodman, but Dreyfuss shruggs it off because this is what he does. Finally Hunter convinces him he should retract a job in Flat Rock, Colorado training pilots to do what he does. Unfortunately he never makes it to Flat Rock, at least not in the flesh. Not trying to give too considerable away, Dreyfuss comes aid as a sort of guardian angel, forced to deal with two things: his treasure for Hunter and his duty to a young pilot she falls for.

Always is a well made characterize. From Spielberg we seek information from nothing less, though I mediate his name hinders this film**. The cinematography and the salvage are kindly as in all his films, as are the action sequences absorbing the planes. However, the acting is the strongest piece of this film. This is the kind of role Dreyfuss shines in. His fusion of wit and actual emotion is wonderfull and he delivers some difficult monologues which would seem trite is lesser hands. Holly Hunter and John Goodman are obliging as the people dealing with his loss. Also Audrey Hepburn makes her final veil appearance in two scenes as an angel (how fitting) .

**I have this theory about Always. It was almost universally panned by critics, but I believe the criticism is directed more at Spielberg than at the film. Certainly Spielberg has made better pictures, and perhaps this film was made on a grander scale than it needed to be, but I assume if any other director had done this film it would not have received so mighty scrutiny. But, I also fill in the hands of a lesser director this movie would not be as superb. Always combines action, humor, superior sorrow, and happiness, and it combines them well, which is no puny achievement. Spielberg made a excellent film, let it go.

A loose reworking of Victor Fleming’s 1943 World War II drama A GUY NAMED JOE, ALWAYS has to inappropriate as perhaps director Steven Spielberg’s most unfairly maligned movie. Even though it has a very used feel updated to the leisurely 1980s, this is mild a sparkling movie done with genuine poignancy. This is nowhere come the bottom of the Spielberg canon; that dubious distinction belongs to “1941″ and HOOK.

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Richard Dreyfuss stars as Pete, a dare-devil aerial firefighter with a penchant for taking a lot of unneccesary chances in his line of work. As noteworthy “fun” as he has, he is worrying not only his partner Al (John Goodman), but also his one moral admire Dorinda (Holly Hunter) . After grand pressure, including Hunter’s threat to leave him, he agrees to resolve down and become an instructor for up-and-coming flyers in Colorado after one last mission. But on that mission, in the process of saving Goodman when his plane catches fire, Dreyfuss loses his life when his aircraft explodes. Goodman is stunned, and Hunter devastated.

In heaven (or a burned-out portion of forest), Dreyfuss is met by a guardian angel (Audrey Hepburn, in her final role) . He comes relieve to earth as a spirit, to assist a rookie fire-fighter (Brad Johnson) learn the tricks of the trade. Johnson does this and more; unfortunately, he also falls head over heels for Hunter, and Dreyfuss feels the afflict of having to peep this, not being able to let go. But Hepburn gives him very trustworthy counsel, and he is redeemed by saving Hunter from a fiery death in a flight through a nightmarish firestorm.

One of Spielberg’s most touching movies, ALWAYS was unfairly castigated by critics as being heavy-handed and manipulative. I, however, am extremely cynical of such critics who only analyze sure films and don’t really FEEL anything. This is a film of pure emotions, ranging from comedy, both dismal and slapstick, to tear-jerking drama to a suspense and terror-laden climax. The cinematography and the special effects are typical for Spielberg–convincing and top notch. Spielberg, however, wisely, does not stint on the drama. Dreyfuss and Hunter are suited, as are Goodman and Hepburn. Johnson, often heavily trashed, does a fairly worthy job with his role, complete with his John Wayne imitation (specifically borrowing a line from John Ford’s THE MAN WHO SHOT LIBERTY VALANCE) .

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A typically pretty gain by John Williams, which presages his work for Spielberg’s controversial 2001 sci-fi drama A.I.: ARTIFICIAL INTELLIGENCE, tops off ALWAYS, one of the most misunderstood movies of unique times. For poignant romantic drama, this is an valuable movie, a apt must-see.
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Hidalgo Review At Amazon.

Saturday, December 19th, 2009
Hidalgo Review At Amazon.. Hidalgo Review At Amazon..

Product: Hidalgo
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Unless the Academy opens a recent category for “best performance by an animal actor”, you won’t be hearing of this movie next Oscar season, but that’s no reason to miss this movie now. Hidalgo, the horse, and Viggo Mortensen, as Frank T. Hopkins, completely won my heart as well as a area in “Substantial Couples of the Silver Hide”, or at least as vast partners in a buddy movie. This improbable painted mustang plays the serious buddy, making his human tend to business in spite of other inclinations. It is a charming footnote to the movie that Mortensen was so taken with the horse that he bought it after the movie was completed.

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Frank T. Hopkins may or may not have lived all the adventures he was distinguished for recounting, but it is verifiably apt that he was instrumental in saving the wild mustang from extermination in North America. For that he is a hero.

This movie version of the 3000 mile rush Hidalgo and Hopkins were said to have accelerate across the Arabian desert to support their title as “greatest long distance hurry runner” is an feeble popcorn-movie-as-entertainment movie. It should also befriend the theaters sell quite a bit of bottled water and soda. The film’s weaknesses are mostly attributable to the script. The writing (credit is to John Fusco, not-quite-known for writing the screenplay for SPIRIT: STALLION OF THE CIMARRON— an AHA!! moment here) could have been tighter, and left needless place holes. Also annoying is a microscopic laxity in editing. However, the yarn itself is a dramatic one, and the movie is fun to perceive. The cinematography does well by the epic and the locale.

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Omar Sharif, once again as a sheik, comfortable to the core in his role, is a delight. Viggo Mortensen is righteous to peruse at, obviously, but made me realize how difficult “laconic” is to play. He manages. Honest. Louise Lombard, playing the English seductress Lady Anne, who continually raises her stakes in the speed, has the most compelling eyes of any actress I can choose. The unique music by James Newton Howard is also well done.

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“The Last Samurai” opened on a similar note: Army orders cause a murderous slaughter of Native Americans for which the protagonist feels responsible, explaining his taking refuge in alcohol. Both protagonists have cynical reasons for leaving America, but some prospect of finding their souls again in a very foreign land, a completely uncommon culture. “The Last Samurai” has what this film lacks: a psychological examination of the hero’s rush. Both films’ protagonists and heroines do a prohibited bond, Samurai’s developing naturally, this one seemingly more contrived and less deep. But whereas “The Last Samurai” is a war movie, this film ends as “Seabiscuit”: a very moving horse hasten.

Our audience was completely enthusiastic, groaning, cheering, sweating it out for the heroes, the heroine, and even, occasionally, for the also-rans. It is a satisfying scuttle. B-

Based on the life account of Frank T. Hopkins and his horse Hidalgo, “Hidalgo”, from director Joe Johnston, is a compelling, ravishing, and though-provoking film (even though it stretches its running time to 130 minutes) that interests every moviegoer with suspense, romance, and tales of comraderie.

The year is 1890, and half-American, half-Souix Indian Frank T. Hopkins (Viggo Mortensen), is invited by an Arabic sheik to compete in “The Ocean of Fire”, the most prestigious and unsafe long-distance hasten ever known to man. Usually reserved for the purest bred stallions and the wealthiest and best riders in the world, the 3,000 mile run across the Arabian Desert leaves half of its competetors tiresome from natural wretchedness, insanity, or the treachery of fellow riders. After witnessing a tragedy at Wounded Knee Creek, and falling out of his once-claimed title of the best rider in the West, Frank and Hidalgo jump at the opportunity, where they encounter worry in all forms, and must rely on their friendship and strength to pull off the impossible.

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Seeing as “Hidalgo” is Viggo Mortensen’s first film in which he has been the only-billed star, he handles the pressure well as the unexcited and conflicted Frank T. Hopkins. He plays the character with a intelligent subtlely, and gives him an air of understated intelligence and courage. With the fair amount of emotion, Mortensen is the unique day Indiana Jones-like action hero; with sex appeal and appealing stunts. Although he lacks charisma in some instances, he is overall perfect and toothsome in his role. The supporting cast is strong, with the highlights being Louise Lombard as Lady Anne Davenport and a little but memorable performance by Victor Talmadge as Rau Rasmussen. However weird this may sound, the horse Hidalgo gave one of, if not the best, performance in the movie. He made the relationship between himself and Frank heartbreaking and fufilling, and expressed emotions and conveyed positive thoughts across to the audience in simply a discover. If there was ever an award for the best animal actor, I would personally award it to Hidalgo.

One of the main highlights of Hidalgo is the magnificent sets and surrounding scenery. Rich in color, there are splendid shots of the Arabian desert, the plains of used America, and snowy forests and rivers, and fair the people of each modern environment, which build the epic overall more toothsome. The cinematography is jaw-dropping, as the perspectives, running shots of the races, and choice in angles and film speeds are residence on in nearly every scene. The music is also incorporated well, jerking emotions and suspense from the audience.

Although I have heard the contrary, I was thoroughly blissful with “Hidalgo” as a whole. I loved the procedure the relationship between Frank and Hidalgo was portrayed, the legend was original and appealing, and I was moved, gripped by the suspense, and engrossed in the film from originate to effect. Although it runs a shrimp long, ends one too many times, and has some terrible dialogue, it will ultimately satisfy moviegoers of most ages due to the disclose, map, and overall see of the film.
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Lowest Price on Amelie at Amazon.

Wednesday, December 16th, 2009
Lowest Price on Amelie at Amazon.. Lowest Price on Amelie at Amazon..

Product: Amelie
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I have seen thousands of films in my life, and plan nothing could surprise me anymore on a shroud. Amelie proved me I was depraved. Instead of writing another “best film ever” comment, I would like to give some indications for non-french speaking viewers, as the translation might have made some lines a bit obscure.

Amelie says to Colignon “Meme les artichauds ont du coeur” (Even artichokes have a heart) . In french, “un coeur d’artichaud” (an artichoke heart) is a person that falls very often and easily in appreciate.

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Colignon calls Amelie “Amelie-melo” (mutter “ah-may-LEE-may-low”) which sounds like “un meli-melo”, a muddle or mix-up.

In the cafe, people discuss about time and weather, as the same word “temps” means both “le temps qui mature” (time that passes) and “le temps qu’il fait” (the weather) . So goes Hippolito’s theory : they screech about the weather because they are timorous of the passing time.

Collignon says about his mother : “Elle a une memoire d’elephant, un elephant de mer” (literally: she has memory like an elephant, a sea elephant) . A “sea elephant” is a sort of walrus, and “mer” (sea) and “mere” (mother) are pronounced the same.

When Amelie is in a theater, she watches “Jules & Jim”, a movie by Francois Truffaut. There are many references to Truffaut in the movie : Claire Maurier plays the mother in “the 400 blows” and many scenes refer to “Bed and Board”, which itself refers to Hitchcock’s “Rear window”. I serene have to figure which was the movie whith Spencer Tracy driving without watching…

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When Amelie watches her projected life on TV, a scene that refers to Woody Allen’s “Zelig”, the divulge over is from Frederic Mitterand, nephew of his uncle, who is illustrious for commenting weddings or funerals of aristocrats on french TV.
The “likes/dislikes” narration was experimented by Jeunet in a short movie “Foutaise” with Dominique Pinon, that will be included in the collector edition of the DVD. It also refers to “La vie, mode d’emploi” (Life: a user’s manual) from Georges Perec, although Jeunet admits he could never effect the book.
Most TV scenes are stock shots. The record about the horse running in the Tour de France is correct. Most stories told in the film are just, including the one about collecting discarded pictures.
There are numerous references in the movie, including to other Jeunet films. The scene in the mystery stutter is almost a copy of a similar scene in Alien : Resurrection where Ripley has an almost tender behaviour with the alien.
Finally, “Amelie” comes from “Emily”, as Emily Watson was supposed to play the role, and “Poulain” is both a young untrained horse and a chocolate notice. And this is not a coincidence.

Like the star of Chocolat, the title character of this magical comedy also wants to heal people inside. But this particular healer is a daydreamer with an irresistible smile, a Louise Brooks bob hairstyle or an Audrey Hepburn-like bun when it’s tied up, and will charm the pants off the iciest of souls.

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The only-child of a tight-lipped, hard-hearted doctor father and a neurotic schoolteacher mother, Amelie Poulaine grew up being too remarkable unloved, with a not too overjoyed childhood. As a young lady, she becomes a waitress at the Two Windmills cafe, but other times spends her time in an imaginative world of dreams, not forming cessation ties with people, being terribly troubled.

One day, she is watching TV when Princess Diana’s death is announced. From then on, she decides to be a healer of sorts, whether it be uniting a man with childhood memories he left in a cubbyhole in the skirting board long time ago, trying to soothe the hearts of people, obtain people’s lives better, or being an avenging angel. The scene where she helps a blind man across the street and describes what’s going on is simply magical.

Amelie is also befriended by artist Raymond Dufayel, known as the Glass Man because of a disease that has given him very brittle bones. They communicate indirectly through a painting he’s working on, particularly a young girl that Dufayel’s trying to figure out.

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Amelie meets Nino Quincompoix, a man who collects discarded, frequently torn ID card photos from a photo booth and puts the reconstructed pieces in an album. Included in there many times is a stern bald man whose pictures are always torn up. Amelie finds Nino’s album and wonders who the bald man is. This is a mystery included in the film.

There’s Colignon the grocer, an base middle-aged man who delights himself in disparaging his assistant Lucien, who’s slow-witted but nice and sensitive. Amelie feels sorry for Lucien and the scenes where she becomes his avenging angel at Colignon’s expense are hilarious. At one point she tells Colignon, “You’ll never be a vegetable. Even artichokes have hearts.” Ouch, but well deserved.

Amelie’s widowed father spends his life collecting garden statues to decorate his plain wife’s shrine, instead of travelling around the world. Amelie steals one of them, a bearded garden gnome complete with red pointed hat, and then something queer happens. A few days later, her father receives a postcard from the gnome, who is apparently on holiday abroad!!! This goes on for a while and completely baffles him.

Audrey Tautou would’ve been my choice for Best Actress of the year. I simply melted everytime she smiled in the movie. She also bears a microscopic similarity to another Audrey–Hepburn. Both have in current shadowy hair, a face brimming with charm, and irresistible smiles. Maybe that’s why it was admire at first glimpse with me.

Director Jean-Pierre Jeunet uses some quirky film techniques, mostly visual imagery, such as a scene when Amelie literally dissolves into water. The onscreen narration is also useful. At times, it sets the stage for turning points in the film. Earlier, it describes the likes and hates of the Poulaines and the one famous characteristic of the Two Windmill employees. He creates an imaginative film that’s a breather from the usual Hollywood grind. But it’s his closeups of Amelie and her smile that perform this worth seeing over and over.
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Buy Batman Begins At Amazon!

Monday, December 7th, 2009
Buy Batman Begins At Amazon!. Buy Batman Begins At Amazon!.

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After years of not having a Batman film and mostly due to the franchise hitting bottom thanks to Joel Schumacher’s disastrous “Batman forever” and “Batman and Robin”, Christopher Nolan display us his version of the character with an impressive all star cast anda myth brilliantly written by David S. Goyer.

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The film

There were high expectations for this film before its release as if would it be as capable as Burton’s films, the truth is, there are no points to compare, Nolan and Burton visions are quite different from each other, but both respect the origins and essence of who the character is.

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Goyer took some liberties in the storytelling that could be considered as unforgivable by many fans (Bruce’s parents are originally killed after seeing “Tag of Zorro” at the movie theater, a fact that marks Bruce’s mind with the view of a masked vigilante) but also hints at stuff that the previous versions let pass unnoticed, the main focus of this film are the origins of Batman and his training to become what he ultimately is. Even though the detective share of Bruce’s training is not even mentioned, the twist in which Ra’s Al Ghul (Liam Neeson) is the one who trained him in the ninja arts and theatricality impartial makes their conflict more appetizing and inviting. Cameos and appearances of characters from the laughable book are also well archaic, justified and notable to the chronicle (Carmine Falcone and killer Zsaz)

The yarn uses the two villains exactly as they would act in the comical book, Ra’s Al Ghul with his constant desire to status thing apt his method and Jonathan Crane (Cillian Murphy) working and experimenting with the thing he enjoys the most: terror. Even though the Scarecrow is totally the opposite of the droll book (in the humorous Jonathan Crane is an broken-down and frightful doctor who was fired from Gotham University for experimenting on the students with his gas of anxiety), the character presented keeps the essence and motives that the new character has, unlike the Riddler, Mr Freeze, Two Face or Poison Ivy in Schumacher’s poor versions.

A novel Gotham city is presented, considerable more like a NY city style, a original Batmobile (not as treasure as the previous ones but quite impressive) and a whole position of characters we put a question to to glance in future releases, James Gordon (Gary Oldman who amazingly looks exactly as Jim in the droll), Alfred Pennyworth (Michael Caine), Lucius Fox (Morgan Freeman), Jonathan Crane, Carmine Falcone and Ra’s Al Ghul.

Masterfully executed by the whole cast and brilliantly directed by Nolan, there are many of us looking forward for a sequel to this film.

The extras

Disc one contains Mtv’s “Tankman Begins”, a spoof we could have lived without but without any doubt a collector’s share for all Mtv fans.

Disc two contains a state of documentaries related to all aspects of production and shooting of the film, from the early beginnings in Nolan’s washing room until the shooting of some of the most difficult sequences of the film. The disc 2 is organized in a humorous book-like format which makes it a slight difficult to follow as many things are like hidden, but if you go until the destroy of the short and pointless account, you will get a list with all documentaries available. One of the documentaries called “Genesis of the bat” presents laughable book artist related to Batman talking about the character and film, from Dennis O’Neil to Jim Lee. I am certain this will be a share fans of the funny book will be pleased. All extras are salubrious of watching and I strongly recommend the 2 disc position, it is a 5 o 6 dollar inequity that will compensate with all the facts and items found in the bonus materials.

***BluRay review***

I had already written a review for this film when the two-disc special edition was released on DVD, so I will not win into any details about how sizable the movie is.

The treatment they gave to this release is amazing, image looks vast and colors are aesthetic, the high definition definitely makes a dissimilarity and ‘Batman Begins’ looks better than ever (simply check out the ice sequence between Bruce and Ducard)

I have seen threads with questions as to what exactly does the little edition space contains versus the regular single disc, so here are what I deem are the most principal ones:

The Disc

The disc included here is the same disc they released separately:

* All the extras from the 2-disc DVD are included, the documentaries and the terrible ‘Tankman Begins’

* The prologue to ‘The Sad Knight’ in high definition (are we in for a treat when released on Bluray!) This is basically the bank robbery scene that opens the sequel.

The Extras

The USB with 18 the stills from ‘The Sunless Knight’ included in the DVD version of the gift region IS NOT INCLUDED in the Bluray gift set; don’t know what the reason is but it would have made sense to include it in both versions.

The postcards included are selections from the art created to promote ‘Batman Begins’, in my view some of the images ogle simple and overall they are not that astronomical.

The two silly books included are a joke! One is a funny book adaptation of the same 6 minutes prologue included in this edition (the bank robbery), the other one is the script with pictures of the same 6 runt prologue! I am a collector and great fan of Batman and even I regain this ridiculous and overpriced.

The $7.50 coupon to gaze ‘The Gloomy Knight’ in theaters.

Bottom-line, I would give 3 stars to the BluRay release, not to the movie itself (which is gargantuan and looks favorable in HD) but to the release. I am having buyer’s remorse, don’t be fooled by what the product description says, it may sound intriguing but had I known the extras would be as they are, I would have gone for the cheaper single disc edition.

Since his first dramatic appearance in Detective Comics in 1939, Batman has grown to become a pop-culture icon. From movie serials in the 40′s, to a classic campy TV prove in the 60′s, to a solid interesting series in the 90′s, fans have thrilled to the neat heroics of this fresh character. However, as a film franchise, he has brought results that were somewhat less than impressive creatively. While the Tim Burton directed films, BATMAN and BATMAN RETURNS were stylish and black, they also suffered from place holes you could drive a Batmobile through. Then Joel Schumacher introduced a Day-Glo sensibility to the Sunless Knight in BATMAN FOREVER, before drowning the character in ludicrous costumes (a Bat suit with nipples??? ), pun-filled foes, and whiney sidekicks in the lousy BATMAN & ROBIN. By then, Batman as cinematic property had become a laughingstock. Fortunately, indie film director Christopher Nolan reinvigorates the franchise in splendid make in BATMAN BEGINS, a reboot of the Batman epic that, for the first time, puts the focus squarely on our hero and not on the over-the-top villains of past films. Nolan also bases the film in a strong semblance of reality that allows the audience to not only collect the possibility of the winged vigilante, but embrace it as well.

Most fans already know the myth of how wealthy Bruce Wayne (Christian Bale) loses his parents when they are slain during an attempted robbery, but the movie also tells how he chose the bat as his symbol, as well as the steps needed to become the avenger of the night that he turns into. Disillusioned and frustrated by Gotham City’s improper judicial system, the young Wayne goes abroad to ogle the criminal mind. Later, while locked in an Asian prison, Wayne is recruited by the enigmatic Ducard (Liam Neeson), who offers him a path in which to focus his exasperate and hone his skills. Wayne eventually joins his current mentor as a recruit in the mysterious League of Shadows, headed by the disagreeable Ra’s Al Ghul (Ken Wantanabe) . Eventually, Wayne realizes that he cannot follow the League’s low methods of dispensing justice and returns to Gotham to forge his contain arrangement. It soon turns out that Wayne’s return is impartial in time as Gotham falls prey to a fright epidemic engineered by the crooked Dr. Jonathan Crane AKA “the Scarecrow” (Cillian Murphy) and a familiar figure from Wayne’s past.

From the top on down, this film is blessed with a solid cast that adds wonderfully to Nolan’s vision. As the title hero, Christian Bale blows all other Batman portrayers out of the water with his intense and scary acquire of the role. This is a Batman that you not only scare, but can portray to as well. In fact, he turns in the definitive performance. Michael Caine adds warmth and humor as Wayne’s actual butler, Alfred. Liam Neeson does a big variation of his usual mentor roles as Ducard, a man with his beget surprising secret. As an assistant DA and Wayne’s childhood friend, Katie Holmes does a nice job with what is basically a thankless role. Cillian Murphy makes for a perfectly creepy Scarecrow, while Morgan Freeman is solid as usual as the man who provides Batman’s wondrous car and gadgets. Gary Oldman is wonderfully cast against type as Jim Gordon, one of Gotham’s few just cops. The scene in which he drives the tank-like Batmobile is a sheer delight.

The screenplay by Nolan and David Goyer (who wrote the BLADE films) is awash with characterization and motivation…something that you don’t peruse in many silly book films as a rule. In fact, you earn so engrossed by the proceedings that you almost forget that you are watching a “superhero” film in the first location. The special effects are weak to enhance the tale and not overpower it, while the space beget pictures a Gotham that is a fresh corrupt of Chicago, Modern York and Hong Kong. If there is a flaw, it lies in some of the fight sequences. Done in close-ups and fast cuts, they can glean frustrating for those who want to contemplate more of Batman’s fighting style. However, this is very minor since the yarn never ceases to take your attention.

In the waste, Nolan and his ample cast and crew succeed in achieving what was once view impossible: the resurrection of a film franchise that, if not expressionless, was at least on life encourage. As a result, Batman is once again flying high and BATMAN BEGINS is a film that I wholeheartedly recommend.

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Buy Pokemon – The Movie 2000 Blu-Ray at Amazon.

Saturday, December 5th, 2009
Buy Pokemon -  The Movie 2000 Blu-Ray at Amazon.. Buy Pokemon – The Movie 2000 Blu-Ray at Amazon..

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Pokémon 2000 The Movie: The Power of One

This movie starts with a tiny short called “Pikachu’s Rescue Adventure.” Unlike the short which accompanied Pokémon The First Movie, Pikachu’s Rescue Adventure contains substance as well as cuteness. It focuses, as the name suggests, on Pikachu’s adventure rescuing–Togepi! The short treats the viewer to Pikachu’s intelligence, bravery, and of course, cuteness. Like the first short, it goes out of its plan to present a wide variety of Pokémon, including four recent ones, which I understand are named Hoothoot, Ladyba, Bellossom and Elekid. Elekid, a original electric Pokémon, plays a major role after becoming friends with Pikachu through an exchange of electricity. (Hoothoot and Bellossom now have played indispensable roles in episodes of Pokémon: The Johto Journeys on television as well.) You’ll even finally salvage to seek a Snorlax do something other than eat and sleep!

The Power of One itself seems substantially less dismal than its precursor, yet manages to outdo the First Movie’s fable of MewTwo versus Mew. The Power of One Introduces us to a unusual Pokémon, a much Guardian of the Water named Lugia which is nearly as stout as the three legendary birds–Moltres, Zapdos and Articuno–combined. It’s also nearly as noteworthy as the three combined. I say “nearly” because, according to an venerable prophecy, without the serve of the Chosen One all of its efforts to terminate the three from fighting will near to nothing, “making the world turn to ash.” And who should be the Chosen One? Well, as Misty realizes, the prophecy DOES say that the world will “turn to Ash.”

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As an added itsy-bitsy bonus, the movie finally provides first names for Professors Oak and Ivy, and for Mrs. Ketchum, Ash’s mom. It also gives two uproarious, albeit non-speaking cameo appearances by the fresh companion of Ash and Misty–Brock the Rock. Fans of Brock, myself included, may get his small role disappointing. Fans of Tracey, Brock’s replacement, may also be disappointed at his minute role in The Power of One. Moltres fans might be disappointed that he isn’t a good-guy like he was in his one appearance in the TV series, and at the scheme he’s been drawn for the movie. Misty fans, however, will revel in her pivotal role.

Team Rocket fans, perpetually hoping to bag their heroes playing a role other than that of the inept butt of jokes, will obtain their hopes finally realized. Team Rocket too plays a pivotal role in The Power of One, contain it or not, deliberately and through the creativity of Jesse, James and Meowth! Ah Team Rocket, we always knew your tendency to “reflect outside the box” would pay off one day.

In addition to Lugia and Team Rocket’s effectiveness, the movie offers something else new: a modern Pokémon called Slowking. Slowking, the final evolved perform of Slowpoke and Slowbro, resembles a Slowbro, but with the spiral Shellder on its head rather than on its tail. Best of all, the Slowking can reveal. When you hear what he has to say, you’ll be gay he can. Lugia’s no high-tail at communication either–like MewTwo, he fair psychically speaks in Ash’s head. Shapely, huh?

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The Power of One offers an incredible spectacle of color and animation. The movie produces vibrant images, color and sound. I found the music friendly too, although I must warn you that as with the first movie, most of the songs on the soundtrack appear only over the closing credits and have diminutive to do with the movie itself. At least more of the songs from the this soundtrack seem at least generally related to Pokémon. You will definitely want to peek the closing credits, however, both to hear “Strange” Al Yankovic’s “Polkamon” song and to recognize the second, hysterically-funny, cameo appearance by Brock. If you like Pokémon you will like this movie; your miniature Pokémaniac (either the one you tuck into bed at night or the one hiding inside you) will like it.

Many people criticized “Mewtwo Strikes Help” when the first Pokemon movie was released in the US, because in comparison with the obliging Japanese version it was a mess, missing out critical things that explained about the characters (such as The Birth Of Mewtwo), and it had sloppy characterization.

However, I’m satisfied to say that this film is generally noteworthy better than the first Pokemon movie. The status involves a Pokemon collector called Laurence III who wants to remove the three Legendary birds Articuno. Zapdos and Moltres – or the Gods of Ice, Lightning and Fire as they’re called here. Unfortunately, this creates a astronomical quandary with Earth’s weather patterns, causing violent storms and snow, and it is left up to Ash to salvage them support, and return things to normal.

There are some runt hints to the possibility of an Ash/Misty romance in this film – when Ash arrives on the island at the beginning of the movie, a girl called Melody kisses Ash on the cheek which makes Misty really jealous, as well as some other cute moments.

Sadly, in spite of an improved set I possess that, as before, the choice of music stands out as the film`s downfall and the producers haven`t learnt from the mistakes they made in the first film. Apart from a few exceptions (“The Record Comes To Life” is a fabulous track), this movie replicates the same pop-styled rubbish passe in the First Movie. The remix of the TV theme song (“Pokemon World” performed by Youngstown & Nobody’s Angel) is absolutely atrocious, with a scratchy beat and synthesized vocals. The campaign to ban vocoders starts here…

Next time round, I would like to eye a better choice of music which is less pop-orientated, but I`m not holding my breath…

Overall though, in spite of the poor soundtrack, this is a major improvement on the First Movie which I believe any Pokemon fan should add to their collection.
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